5,416 Royalty-Free Audio Tracks for "Recorded Music"

This is an extract of the file sardinia: the original soundscape #2, full vision at https://youtu. Be/li-mdai0abi. This file (sardinia: the original soundscape #2) includes the sound of the wind, birds, insects, grazing animals, the characteristic soundscape around a small church. The file was recorded at the evening on an november day in olzai. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio lai contacts:laianto. Me@gmail. Com.

Quartet: "Bella figlia dell' amore" from Giuseppe Verdi's opera Rigoletto (1851), performed by Enrico Caruso (the Duke of Mantua), Louise Homer (Maddalena), Bessie Abott (Gilda), and Antonio Scotti (Rigoletto). This is Victor Records Matrix C-4259, recorded on 20 February 1907 in New York City, and released under a variety of labels (full details) “..Bella figlia dell'amore”, cuarteto de la ópera lírica “Rigoletto” de Giuseppe Verdi. La pieza, de una grabación de la ópera de 1907 de la casa discográfica Victor Records, siendo protagonistas Enrico Caruso, Bessie Abott, Louise Homer y Antonio Scotti. Bella figlia dell'amore, de Rigoletto de Giuseppe Verdi. Enregistrement de 1907, avec Enrico Caruso, Bessie Abott, Louise Homer et Antonio Scotti. Italiano: “Un dì se ben rammentomi ...Bella figlia dell'amore”, quartetto dall'opera lirica “Rigoletto” di Giuseppe Verdi. Il pezzo, da una registrazione dell'opera del 1907 a cura della casa discografica Victor Records, vede protagonisti Enrico Caruso, Bessie Abott, Louise Homer e Antonio Scotti. Македонски: „Убава ќерко на љубовта“ (Bella figlia dell'amore) од операта „Риголето“ од Џузепе Верди во изведба на Енрико Карузо, Беси Абот, Луиз Хомер и Антонио Шоти (снимка од 1907 г.) "Bella figlia dell'amore" из Риголетто Джузеппе Верди. В 1907 студия Victor Records записала исполнение Энрико Карузо, Бесси Аботт, Луизы Гомер и Антонио Скотти. Tiếng Việt: "Bella figlia dell'amore" trích trong vở Rigoletto của Giuseppe Verdi. Bản thu thanh năm 1907 của hãng Victor Records với các giọng hát của Enrico Caruso, Bessie Abott, Louise Homer và Antonio Scotti.

This is an extract of the file sardinia: the original soundscape #1, full vision at https://youtu. Be/1klfdfx3zyq. This file (sardinia: the original soundscape #1) includes the sound of the wind, birds, insects, grazing animals and the sound of a small river flowing through the area. The file was recorded at dusk on an october day in olzai. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio laicontacts:laianto. Me@gmail. Com.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

The "concrete cello" pack is a collection of scraping, scratchy and droning improvisations on the cello focussing on the creation of sounds to be used as base materials for future compositions. They were originally recorded in 2019 to be used in as sound design elements for the documentary "hotel regina" by director matthias berger for which i composed the music. Part of the impetus of this sampling session was to create cello sounds that would be remiscent of construction machines. (if you look on the geotag you can see the machines, well, sort of). You can listen to the score here :https://doubleblindrec. Bandcamp. Com/album/regina-hotel. These are the close-micced mono raw studio recordings. Neumann u87 into a wa273 and a rme ufx. Recorded by barbara samla at studio aktis in france. Sounds are cco, use them as you will!(but feel free to let me know in what : it's always nice to find out!).

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.

Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Erika was a German marching song which is used by the German military. The author of the song was Herms Niel in 1930s. This song was published during Nazi Germany and ww2this recording include MIDI Erika, auch bekannt unter seinem Liedanfang Auf der Heide blüht ein kleines Blümelein, ist der Titel eines bekannten deutschen Marschliedes von Herms Niel, das in den 1930er-Jahren entstand. In dem Lied wird „die naturverbundene Liebe zur Heimat besungen“.

The sound of opening a beer bottle with swing top. Recorded and used in a music track for the "grinkenschmidter schützenverein"from altenberge, north rhine-westphalia, germany. Der sound vom öffnen einer bierflasche mit bügelverschluss. Aufgenommen und verwendet in einem musik track für den"grinkenschmidter schützenverein" aus altenberge, nordrhein-westfalen, deutschland.

Toc de matinades is a form of catalonian folk instrumental music, performed by a group of gralles (https://en. Wikipedia. Org/wiki/gralla_(instrument)) and timbals (https://ca. Wikipedia. Org/wiki/timbal), which strolls the streets early in the mornings of local festivals to wake up neighbors for the celebrations. This recording was made in barcelona on feb 14, 2016, around 8:55 am, with occasion of festes de santa eulàlia, using a zoom h1 (44. 1 khz, 16 bits).

This an acapella that could be featured on your future hit. This is no copyright, i recorded this just for your free download and use. For me is bonus - my voice on your track. One ask: if you use it in your music, please send me a link to a track. I would love to listen.

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

Second Suite in F for Military Band, Op. 28, No. 2: "Song Without Words, I'll Love My Love" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry

This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.

Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

A very old radio playing in a sri lankan sewing factory to entertain the workers. This sound has been recorded with the h4n pro. You can use this sound in your project regardless if it is commercial or non-commercial but it would be awesome if you could tag my instagram account somewhere in the description:https://www. Instagram. Com/florianreichelt/. Leave a comment and tell me for which project you used it!! :). By the way - have you guys already checked out my latest travel video about sri lanka?if not you should definitely watch it: https://youtu. Be/raxikjo5x0othe nature, the people and the overall culture are absolutely outstanding and they inspire you to travel as well.

A nice crowded coffee shop (coffee shop sounds only, no music). I was looking for a diy solution to loop coffeeshop sounds along with playlists for working at home, and came upon this great recording from waweee:. Original upload here: https://freesound. Org/people/waweee/sounds/370973/. I've edited the original to normalise it and remove bass distortion (makes it louder, clearer and more crisp). Enjoy, and waweee, feel free to seal it back and post it on your account too. Thanks again for the original.

Title cheesy toy melody "Old Mc Donald" Artist stephan Original mp3 data Length:0:30 minutes (592.9 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags awkward, Baby, cheap, cheesy, Melody, nerved, Nursery Rhyme, sing along, singing, squawking, toy Type Single Subject, Tone / Tune PDSounds record number 393 Comment :) Push a baby toys button and it plays this awkward sounding tune. Next time i try to capture it when the batteries are low. Even cheesier than.

A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

Electric guitar melody #7 recorded with psr standart + boss pocket go + zoom f3. You can download a higher resolution (24bit/192khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electric-guitar-melody-7if you need more electric guitar sounds, you can check my collection here: https://richardatmo. Bandcamp. Com/album/electric-guitar-melodies. You can also just listen to my collection for free. Have a nice day.

I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.

Songː Mi Noche Triste. Authorsː Pascual Contursi ( 1888-1932) y Samuel Castriota (1885-1932). Interpreterː Carlos Gardel, with guitars of Guitarras de Aguilar, Barbieri y Riverol, Recording dayː 24 Apr 1930 Buenos Aires Temaː Mi Noche Triste. Autoresː Pascual Contursi ( 1888-1932) y Samuel Castriota (1885-1932). Interpretesː Carlos Gardel, con guitarras de Aguilar, Barbieri y Riverol. Día de grabaciónː 24 Abr 1930 Buenos Aires

Squadron Song performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 (B5) from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

I recently contributed a track to a triple lp set of krautrock cover versions ("head music 2", released by fruits de mer records, december 2020). The song i chose to cover was kraftwerk's "autobahn". If you know the track, you'll know that it uses synthesised traffic sounds alongside recordings of the same. On my version, i achieved these in three ways:. 1) i downloaded some public domain traffic sound effects from elsewhere here on freesound. Org (thanks, guys!). 2) i got in my car with my zoom recorder and made my own recordings of the engine starting, stopping, etc. 3) i made my own sound effects using virtual synths and effects in ableton live 10. This particular sound falls into the third category. Let me stress that while the song "autobahn" is copyrighted, these are isolated sound effects and are not covered by copyright. I'm making them available here under a public domain licence. If you download and use any of these samples, please let me know in the comments what you did with them. It's not compulsory but it would be interesting to know what people did with these sounds.

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.

Thought this would make the perfect, very unique style to use drums as filler background music during a very important statement or speech. This track is a little over two minutes long and has just enough soft beats to not distract the listener to what is being said. This was recorded using a yamaha keyboards guitarpop style drum rhythm, audacity & a little improvisation. I must admit. . . I like what i hear and i think - so will you!. No acknowledgement to me is necessary but maybe a shout-out to yamaha would seem in order.

. A very mellow and ambient music loop. Completely seamless. It has a horrid start because of the whole seamless loop stuff, please read further down. . . The piano piece is one of orangefreesounds' many beautiful looping piano melodies. I added some effects and an ambient mellotron using the free, but stunning redtron se vst instrument, which uses recorded samples of a real mellotron. Highly recommended if you are looking for an authentic mellotron sound. . . Please excuse the rough start, the reason why it sounds so weird is because it is a prefect loop, that means that everything, including all the effects, loops perfectly. What you hear in the very start is the reverb and delay effects from the end carrying over to the start. It will sound completely seamless once looped!. . It might not sound good as a preview, so i recommend to download and listen to it on your own device, as the website has a bad habit of compressing and adding a bunch of annoying squeaking sounds to the audio. .

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 6 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Este sonido es el de unas maracas de las que se utilizan en la parranda venezolana. La maraca es un instrumento musical de percusión, formado por un recipiente hueco elaborado a partir de un fruto leñoso o de material plástico, dentro del cual se introducen cuentas, y que se agita para marcar el compás. Este sonido fue grabado como parte de una entrevista realizada a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "this sound is that of some maracas used in the venezuelan parranda. The maraca is a percussion musical instrument, formed by a hollow container made from a woody fruit or plastic material, into which beads are inserted, and which is stirred to mark the beat. This sound was recorded as part of an interview with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized. " see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

These samples are created to work with the vg trumpet for ni kontakt. For information about vgtrumpet pleasr visit www. Vgtrumpet. Comthe sample was recorded with a pair of neumann u 87 mics and mastered in sound forge pro 10. The sample was recorded at full 24bit/44. 1khz depth to capture every detail. Here are some sound examples:http://vgtrumpet. Com/http://www. Youtube. Com/watch?v=ffoa8zj0ktehttp://www. Youtube. Com/watch?v=9apw8ufklucvg trumpet soft is a bb trumpet that has been recorded and programmed as a very high quality kontakt instrument with a custom graphic interface. Each note was individually sampled to achieve maximum realism. Vg trumpet will give you the intimacy, warmth and the natural sound of a real instrument. It’s straightforward and easy-to-use interface with advanced kontakt scripting allows for incredibly realistic phrasing and performance. If you’re in the market for brass sounds, you simply must check it out….

A bit of music i made in garageband for something called victors crypt. I came up with this melody played on keyboard with effects. Recorded som chords with delay on top of that to make it mysterious and spooky. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Edison Amberol Blue Record 2791. Sung by Rhoda Bernard. Cohen owes me 97 dollars (pol. Cohen jest mi dłużny 97 dolarów) – piosenka z 1906 roku charakterystyczna dla twórców i wydawców z Tin Pan Alley skomponowana przez Irvinga Berlina w wykonaniu Rhody Bernard. Čeština: Píseň Cohen owes me 97 dollars je typická pro newyorská hudební vydavatelství Tin Pan Alley, složil Irving Berlin, nahrál Rhoda Bernard roku 1906. Македонски: Коен ми должи 97 долари — песна во композиција на Ирвинг Берлин. Изведено од Рода Бернард, 1906 г.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

Electric guitar melody #11 recorded with psr standart + boss gt1 + ditto+ looper. You can download a higher resolution (24bit/44100khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electric-guitar-melody-11. If you need more electric guitar sounds, you can check my collection here: https://richardatmo. Bandcamp. Com/album/electric-guitar-melodies. You can also just listen to my collection for free. Have a nice day.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

This is a sound of vintage soviet transistor organ junost 75. I have sampled one tone per octave in its 5-octave range, which is sufficient to re-create the original sound (tested on ensoniq asr-10, korg tr6 and casio ctk-900). But if you use only the middle sample, you can still simply create a great combo organ sound. This sample has ben recorded while all 4 registers were switched on. For succesful re-creation i recommend to slightly decrease filter cut-off, to add some resonance and fast vibrato. Enjoy!.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

Amen break by the winstons [specifically g. C. Coleman] (at 1:26): (https://www. Youtube. Com/watch?v=gxzuq57_bym). I used audio source separator isse,(http://isse. Sourceforge. Net/), to separate the individual snare hits from the ride hits as well as the kicks,. I recorded the amen break samples to be separated with this amen break vst because it has good room reverb on it:. (https://www. Kvraudio. Com/product/db-force-the-amen-by-mastrcode-music). You can put this audio file in a splicer to make custom drum beats.

Live recording. Uday Shankar and his company of hindu dancers and musicians: Vishnudass Shirali, Sisir Sovan, Rabindra (Ravi Shankar), Dulal Sen, Nagen Dey, Brijo Behari. Čeština: Skladba Raga Tilanga (1937), na sitár hraje Ravi Šankar při své návštěvě New Yorku. Raga Tilanga (1937), Ravi Shankar's first recording, in New York, during a tour organized by his elder brother Uday Shankar. हिन्दी: राग तिलंग (१९३७), बड़े भाई उदय शंकर द्वारा आयोजित एक दौरे के दौरान रवि शंकर की न्यूयॉर्क में पहली रिकॉर्डिंग। Македонски: Рага Тиланга (1937) — првата снимена изведба на истакнатиот индиски класичен музичар Рави Шанкар (1920 - 2012). Raga Tilanga – pierwsze nagranie Ravi Shankara zarejestrowane w 1937 roku w Nowym Jorku podczas tournee grupy tanecznej jego starszego brata, Uday Shankara.

I've put this sound as public domain (cc0) so i (and you) don't have to fiddle with figuring out the minutiae of various cc licenses. Go crazy! use it for anything you like, but do drop me a line and tell me how you're using it! i'd love to hear. Dropping a metal finger band ring 3 times onto my wooden dining room table. Could be interesting for musical applications e. G. Textures in a drum loop, or even foley work. Recorded at 24bit 48k into reaper on a macbook promicrophone: zoom h4n through the onboard stereo mics. Processing: only a gentle highpass at 50 hz.

A sputtery drum beat. The bass is from freesound, the snare is from a small chop of my fist hitting an oil drum, and the small breath that acts as percussion is from a children's toy. The hi-hats are from vinyl crackles and mistakes in other recordings, made to sound like the crackles themselves are making the music. 88 beats per minute. Used this in my song tai chi, chai tea: https://soundcloud. Com/user-32192831-668958257/tai-chi-chai-tea.

This sound is a superposition of two records. First, i recorded a coffee machine and cut it to extract just the sound of the money that falls in. Then, i recorded the sound of keys and mix it together on audacity. I wanted to make a sound that can be repeated in a loop. So, i copied the record of the coffee machine to give a rhythm to the sound. I tried to cut the sound of the key perfectly to make a loop with the help of the option “search for crosses with zero”. Then, i added view effects. I have changed the amplification in purpose to bring out more the sound of the coffee machine. I also change the reverberation. Gradually, my sound made me think of a music in a video game that i used to play, rayman. It was difficult to describe what the sound was like, but i liked the atmosphere, so i kept it. Then, a friend told me it made him think of a frog noise, and i liked the idea. Code typologie de schaeffer : v’’précisions morphologie :sur le principe de l’écoute réduite, la morphologie du son peut-être décrite comme étant un groupe tonique car nous entendons plusieurs hauteurs. Le son peut être qualifié d’acide et éclatant. Le son paraît plutôt rugueux. Je dirais que le son est dynamique mais que l’attaque n’est pas brutale mais graduelle au moment où l’on entend le son de la machine à café. Le profil mélodique présente des variations plutôt scalaires. Pour finir on entend des hauteurs de sons parmi d’autre son.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

Short comment about why i donate to a nonprofit student-oriented radio station (c89. 5/knhc) operated from nathan hale high school in seattle, wa (us), for possible airplay - but maybe useful (in whole/part) for your creative project. Recorded into adobe audition using a blue snowball usb mic, with some (hopefully minor/not noticeable) noise reduction. Phonetic word list for possible clip extraction: my name is stuart jay whitmore and i'm a writer in the seattle area i donate monthly to see eighty nine point five because support educational mission also like listening to music while work on books.